The nearly four-dozen sides of genre-defining soul that
James Brown committed to 7" vinyl between November of 1967 and January 1969 are gathered on Hip-O Select's two-CD limited-edition
Singles, Vol. 5: 1967 -- 1969 (2008). As they have done on their four previous installments, co-producers
Harry Weinger and Alan Leeds have spent literally hundreds of man-hours in the methodical restoration of Soul Brother #1's copious legacy and oft confusing discography. For this package, they anthologize one of
Brown's most influential eras as the artist's insatiable quest to deliver rhythm & blues into newer and definitely funkier territory comes to a crucial crossroads. This reverberation would reflect a social upheaval simultaneously occurring across America. Perhaps the clearest indicator of
Brown's place at the apex of the impending Black Pride revolution is that more than a quarter of these songs crossed from the R&B to the pop charts. Among them are classic grooves and even rare edits of such memorable titles as "I Can't Stand Myself (When You Touch Me)," "There Was a Time," "I Got the Feelin'," "Licking Stick, Pts. 1&2," "Say It Loud -- I'm Black and I'm Proud," "Goodbye My Love," and "Give It Up or Turnit a Loose" -- all of which made it into the Top 40 Pop Singles survey. In the spirit of completeness, monaural and stereophonic editions of "Licking Stick" are offered because -- as
Weinger and Leeds refer to in the copious fact-filled, 28-page liner booklet -- both the "mono and stereo masters [of the song] were randomly interchanged at the King Records pressing plant." Another interesting anomaly is "Shades of Brown, Pt. 2." Although the selection is, in fact, the continuation of the B-side to "Goodbye by Love," it was Birmingham, AL disc jockey Steve "Soul" Myers' name on the label. Atypically, the A-side to "Shades of Brown, Pt. 2" isn't on this package. The compilers decision to exclude that may have had something to do with the fact that it wasn't officially credited to the artist, not to mention that the novelty platter was nothing more than a so-called "break-in" record. Here, clips from well-known classics are used as responses in what is set up as an interview. Vigilant enthusiasts can locate "James Brown -- A Talk with the News" on the 40th Anniversary Sampler (1996). Interestingly there are additional numbers not billed to
James Brown or his
Famous Flames. Among them are vocalist
Vicki Anderson, who gets props on "You've Got the Power," while
Bobby Byrd's "You've Got to Change Your Mind" and
Marva Whitney's "You Got to Have a Job (If You Don't Work, You Can't Eat)" are also located here. Additionally, there is a reading of "There Was a Time" which was issued under the name of the Dapps featuring Alfred Ellis. This is the
Famous Flames song with
Alfred "Pee Wee" Ellis (sax) soloing where
Brown's lead vocals had formerly been. The Dapps are given the nod for "Bring Up the Guitar" and "Gittin' a Little Hipper," while the remake of the
O.C. Smith hit "Little Green Apples" b/w "Come on in the House" was done under the lengthy moniker
Alfred "Pee Wee" Ellis featured with the James Brown Band. Finally, there are also a few very short spoken "Open End I.D.'s" that are not mentioned on the rear tray card song list, but are tucked between tracks 18 and 19 on disc two. These would have been used by radio stations in an attempt to personalize the
James Brown cuts on their respective play lists. ~ Lindsay Planer