On
The Three Faces of Yusef Lateef, Riverside seems eager to present
Yusef Lateef, technical virtuoso, on a series of songs that step closer to jazz tradition than any of his work in the recent past. Largely absent are
Lateef's experiments with Eastern modes, rhythms, and instrumentation, and in their place is a collection of largely upbeat, accessible songs, with a balanced mix of standards and originals. Much of the introspective, personal quality of his previous albums seems lost in the effort, but
Lateef's playing still remains stellar, especially on oboe. That instrument, which is by nature soft and muted, is given enough power by
Lateef to lead on several songs, most beautifully on "Salt Water Blues," where its naturally melancholy sound seems perfectly matched with the low, rounded tones of
Lateef's rhythm section, especially
Ron Carter's bowed cello. The quintet also shines on the following track,
Joe Zawinul's "Lateef Minor 7th," where they provide a gentle counterpoint to
Lateef's sweet flute line. Not quite as expansive or daring as much of
Lateef's other recordings,
The Three Faces of Yusef Lateef still documents a fine musician at work during the peak of his career.