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2015 Anthology of Recorded Music, Inc.
Title
Pop.
Time
Three-Page Sonata: I. Allegro Moderato View on Youtube
Charles Ives, Donald Berman
02:04
Three-Page Sonata: II. Andante View on Youtube
03:16
Three-Page Sonata: III. Allegro - March Time View on Youtube
02:38
Study No. 6 View on Youtube
04:22
Study No. 7 View on Youtube
02:58
Study No. 8 View on Youtube
01:51
Study No. 9 ("The Anti-Abolitionist Riots") View on Youtube
03:19
Study No. 15 View on Youtube
04:05
Study No. 16 / 19 View on Youtube
02:15
Study No. 23 View on Youtube
04:07
Set of Five Take-Offs: I. The Seen and Unseen or Sweet and Tough View on Youtube
02:55
Set of Five Take-Offs: II. Rough and Ready or The Jumping Frog View on Youtube
03:06
Set of Five Take-Offs: III. Song Without (good) Words View on Youtube
03:17
Set of Five Take-Offs: IV. Scene Episode View on Youtube
02:12
Set of Five Take-Offs: V. Bad Resolutions and Good One View on Youtube
00:57
Study No. 20 View on Youtube
07:31
Study No. 22 View on Youtube
01:57
Study No. 21 ("Some South-Paw Pitching") View on Youtube
02:48
Evocations, Four Chants for Piano: I. Largo (To Harriette Miller) View on Youtube
Carl Ruggles, Donald Berman
02:01
Evocations, Four Chants for Piano: II. Andante con fantasia (To John Kirkpatrick) View on Youtube
02:51
Evocations, Four Chants for Piano: III. Moderato appasionato (To Charlotte Ruggles) View on Youtube
01:37
Evocations, Four Chants for Piano: IV. Adagio Sostenuto (To Charles Ives) View on Youtube
03:32
by Charles Ives, Donald Berman
by Carl Ruggles, Donald Berman
Three-Page Sonata: I. Allegro Moderato
Three-Page Sonata: II. Andante
Three-Page Sonata: III. Allegro - March Time
Study No. 6
Study No. 7
Study No. 8
Study No. 9 ("The Anti-Abolitionist Riots")
Study No. 15
Study No. 16 / 19
Study No. 23
Set of Five Take-Offs: I. The Seen and Unseen or Sweet and Tough
Set of Five Take-Offs: II. Rough and Ready or The Jumping Frog
Set of Five Take-Offs: III. Song Without (good) Words
Set of Five Take-Offs: IV. Scene Episode
Set of Five Take-Offs: V. Bad Resolutions and Good One
Study No. 20
Study No. 22
Study No. 21 ("Some South-Paw Pitching")
Evocations, Four Chants for Piano: I. Largo (To Harriette Miller)
Evocations, Four Chants for Piano: II. Andante con fantasia (To John Kirkpatrick)
Evocations, Four Chants for Piano: III. Moderato appasionato (To Charlotte Ruggles)
Evocations, Four Chants for Piano: IV. Adagio Sostenuto (To Charles Ives)
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