These lively and spirited sessions from 1953, 1954, and 1956 show that
Ory still had plenty of gas left in the tank and could play tailgate 'bone in the New Orleans style better than anyone. Bouncy and lively,
Ory leads three different configurations, pulling in players from all different musical strata (modern jazzers like
Barney Kessel and jump blues pianist
Lloyd Glenn work comfortably with old-timers like
Minor Hall and
Wellman Braud), making it all work seamlessly. Highlights include nice takes on old warhorses like "South Rampart Street Parade," "Bill Bailey," "Creole Love Call," "Milenberg Joys," "Ballin' the Jack," and "Four or Five Times," but the real treat is the
Kid's vocal on his own "The Girls Go Crazy." Highly recommended.