The inventive bassist/composer
Todd Sickafoose has been plying his trade as a sideman while occasionally venturing forth as a bandleader in the progressive jazz world. With
Tiny Resistors, he's hitting for a high average in presenting original music with a dramatic flair while playing not just the bass. Overdubbing keyboards, accordion, mallet instruments, and the electric bass guitar, he orchestrates charts with many layers for a large ensemble that features electric guitars, brass, and some woodwinds. Special guests
Andrew Bird and
Ani DiFranco play cameo roles, while the dynamic drummer
Allison Miller focuses on tricky rhythms -- rock and funk -- to drive these pieces along bumpy hillsides. A walking-to-jogging pace, serious to whimsical, identifies "Future Flora" (great title!) as the amplified guitars of
Adam Levy and
Mike Gamble with
Sickafoose on the Wurlitzer organ shush along with
Miller and the horns of trumpeter
Shane Endsley and trombonist
Alan Ferber in a 10/8 rhythm. A rustic old New Orleans blues rhythm centers the muted brass during "Paper Trombones," a bit dour and holding a mystery train-like aura, with the vibes and bass playing of the leader conducting the trip. A wonderfully spacious intro with minimalist bells, vibes, and celeste overdubs turns probing, moving forward into dense terrain on the title selection, with
Miller's busy drumming as a fulcrum. "Bye Bye Bees" and "Pianos of the Ninth Ward" include both
Bird (violin) and
DiFranco (wordless vocals); the former nearly 11-minute track has a polyrhythmic base with handclapping, whistling, and song sounds in tandem with the horns, while the latter is a somber post-Katrina waltz with
Sickafoose on piano, the guitars, and an electric ukulele from
DiFranco.
Bird also plays some country & eastern-styled violin for the heartland Americana stylized "Cloud of Dust." Also along this line of Far East/Far West dialect comparable to
Bill Frisell is the rural feeling of "Whistle" with
Sickafoose again on piano, or the very Midwestern "Everyone Is Going." Closest to rock in 7/8 time is "Invisible Ink, Revealed," on the craggy, heavy, and darker edge of an inevitable unquiet storm. This is quite an ambitious project from
Sickafoose. Considering his need to play many instruments while guiding the talented group through a variety of changes and phases, you would be hard-pressed to fully realize the effort it took to make this music perfect. It's very close to complete, universally appealing, and unique unto itself. ~ Michael G. Nastos