Train Home

Name: Train Home by Chris Smither
Brand: Chris Smither
SKU: 012928815826
Price: 9.9 USD
Availability: OnlineOnly
Rating: 3 (77 reviews)

Chris Smither

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From $9.90

2003

11 Tracks

46:04

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Lossless 16bit / 44.1 kHz Stereo

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Tracks Description Versions Credits Videos Specifications Reviews

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1

Train Home View on Youtube

04:12

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Popularity 10/10

04:12

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2

Outside In View on Youtube

04:11

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Popularity 7/10

04:11

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3

Confirmation View on Youtube

04:05

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Popularity 6/10

04:05

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4

Crocodile Man View on Youtube

03:33

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Popularity 7/10

03:33

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5

Lola View on Youtube

03:27

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Popularity 7/10

03:27

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6

Desolation Row View on Youtube

07:45

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Popularity 10/10

07:45

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7

Call Time View on Youtube

03:35

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Popularity 6/10

03:35

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8

Candy Man View on Youtube

03:37

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Popularity 6/10

03:37

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9

Never Needed It More View on Youtube

03:17

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Popularity 6/10

03:17

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10

Let It Go View on Youtube

04:33

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Popularity 6/10

04:33

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11

Kind Woman View on Youtube

03:50

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Popularity 4/10

03:50

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Chris Smither settles into his distinctive combination of folk and blues with this excellent release. Although not pushing established boundaries, his rich, velvety voice and mature spoken-sung vocals convey a sense of truth and add depth to these introspective compositions. A bit of early Tom Waits creeps into his leathery vocals on a jaunty cover of Dave Carter's "Crocodile Man," but Smither is best defined by the fingerpicked folk-blues. Bonnie Raitt, a fan from way back, contributes harmony vocals and slide guitar to his gentle eight-minute version of Dylan's "Desolation Row." Some tunes are percussion-free, providing the singer's honey growl of a voice and clean acoustic guitar the most space to maneuver. Smither is loosest lamenting about his stolen car and its psychological effects on "Let It Go," a track that, with his muttering and grouching, seems to have been recorded in an impromptu moment. A gentle cover of Mississippi John Hurt's "Candy Man" -- the album's only unaccompanied performance -- shows Smither's rather evident roots, and his closing waltz-styled version of Buffalo Springfield's "Kind Woman" reveals less obvious ones. Accompaniment by right-hand man David "Goody" Goodrich, who plays keyboards, guitars, and even something called a pinewood diddley bo, subtly enhances nearly every track on this quiet gem.
© Hal Horowitz /TiVo