Joshua Radin moved toward a more electric rock sound on 2010's
The Rock and the Tide, but on 2012's
Underwater he returns to the hushed and sincere singer/songwriter pop that filled his first two albums. A melodic, countrified album buoyed by some light orchestral touches,
Underwater largely showcases
Radin's vocals set against gently strummed acoustic guitar. However, it also doesn't hurt that
Radin brought in a supergroup of backing musicians for this effort, including pianist
Benmont Tench (
Tom Petty), drummer
Jim Keltner (
Bob Dylan), organist Roger Joseph Manning, Jr. (
Jellyfish), and others. While
Radin has a slight voice that he keeps at something just above a whisper much of the time, his vocal lines are still bright and pleasant. Tracks like the rambling "Let It Go" and the intimate "Five and Dime" are infectious nuggets of heartfelt and twangy folk-pop that stick in your head. Tracks like the leadoff "Tomorrow Is Gonna Be Better" and "Anywhere Your Love Goes," with their sweeping, cinematic string flourishes, have a '60s baroque vibe, and bring to mind the work of such artists as
Sea Change-era
Beck and earlier icons like
Nick Drake. Elsewhere, we get a bevy of catchy, laid-back anthems that find
Radin delving into a womb-like, late-afternoon space of melancholy emotions and sun-drenched ennui. While
Radin may lean toward a kind of a sadness on
Underwater, there is a current of positivity running through his work here that permeates most tracks. On "Let It Go," he croons "Put the top down drive to the sea/Leave the city lights behind me/Let it go/Feel the sun shine on my face/Took some time but I found my place by letting go." If you let yourself go and let
Radin's songs wash over you,
Underwater will most likely carry you out to sea with a smile on your face. ~ Matt Collar