These are the earliest-known recordings of
Canned Heat with the primordial lineup of
Alan "Blind Owl" Wilson (guitar/harmonica/vocals),
Stuart Brotman (bass),
Henry "Sunflower" Vestine (guitar),
Bob "The Bear" Hite (vocals), and either Keith Sawyer (drums), or perhaps his replacement,
Frank Cook (drums), who joined circa 1966. Another notable name among the personnel listed on the original LP jacket is rhythm & blues legend,
Johnny Otis as producer. This is certainly fitting, as the
Heat wind their way through compact, high-energy versions of a variety of selections, directly contrasting the longer psychedelic showcases that would evolve over the next few years. Their almost cerebral respect for their predecessors would have suggested that the band hailed from anywhere other than their Topanga Canyon digs. However,
Wilson,
Vestine, and
Hite were consummate students of authentic R&B, as evidenced by their practically note-for-note transcriptions of tunes from Chicago icons such as
Muddy Waters ("Got My Mojo Working"),
Willie Dixon ("Spoonful" and "Pretty Thing"),
John Lee Hooker ("Louise" and "Dimples"), and
Elmore James ("Rollin' and Tumblin'.") The latter cut is actually presented in two distinct renderings -- with and without
Wilson's hard-hitting harmonica leads, closely resembling the sound of their self-titled debut,
Canned Heat (1967) from the following year. A second holdover is "Big Road Blues," which is also given a similar driving beat and an otherwise solid reading. These sessions have surfaced on an endless array of reissues including
Don't Forget to Boogie: Vintage Heat (2002), Vintage Canned Heat [Sundazed] (1996), or paired with a 1969 concert platter on the Akarma Records double-play
Live at the Topanga Corral/Vintage (2002).