On her seventh release after a productive five-year, five-album affiliation with Blind Pig, singer/songwriter/guitarist
Deborah Coleman shifts gears slightly for her Telarc label debut. Producer
Randy Labbe emphasizes
Coleman's expressive voice -- sounding somewhat like a combination of
Tracy Chapman and
Joan Armatrading -- over her formidable guitar chops. It's a savvy move, and results in one of her most relaxed and commercial outings. Shifting from straight blues to a more laid-back (but still invigorating) R&B approach allows
Coleman room to explore the previously rather limited range of her expressive velvety vocals. A cover of
the Everly Brothers' chestnut "When Will I Be Loved?" refashioned as a peppy shuffle doesn't really click, but her fiery take on
Delbert McClinton's "Lie No Better" -- although it pales next to
Etta James' version -- effectively frames
Coleman's intentions. Better still is the low-boil
J.J. Cale-styled swamp of her original "The River Wild," a sensuous, peaceful, beautifully recorded and arranged instrumental with a light funk undertow that unexpectedly explodes in a raw guitar blast. The restrained yet fiery groove is prevalent throughout, kicked off by the biting original "Bad Boy." The closing "A Woman in Love," written by
Bill Chinnock, captures the singer's soulful yet steely side, wrapping up a wholly successful project that effectively capitalizes on
Deborah Coleman's strongest talents -- sultry vocals and short, succinct guitar solos -- and is arguably better than her previous albums that were more oriented toward blues-rock. ~ Hal Horowitz