Sam Prekop's sophomore solo album coasts sweetly along through the expected layers of treated guitar harmonics, snappy drums, and crisp production, all enhancing the sunny Sunday-mellow groove. The difference from its precursor comes with close listening, wherein one can discern the many elaborate touches of producer John McEntire (Tortoise). The bossa nova elements of Prekop's self-titled debut are gone, replaced by free-floating lyrics--sung in the Sea & Cake leader's soothing half-falsetto--and the sound of math-rock solving itself and arriving back at simple square one.