Jackson Browne continued amassing a repertoire best suited to an Amnesty International benefit on his second highly politicized album,
World in Motion. War, homelessness, and Oliver North (though not by name) were condemned; freedom, truth, and Nelson Mandela were praised. Now and then,
Browne drew parallels between the personal and the political, notably in the double-edged "Anything Can Happen," but for the most part he sermonized, frequently adopting the generalized terms and reasoning that sermons usually employ. Except for the gloomy viewpoint, it was hard to recognize the
Jackson Browne of his first few albums amid all the commentary, and even if you agreed with his overall political stance, that was disappointing.