Jazz Hour's
Shake It & Break It contains 22 old-fashioned jazz records that were cut for Brunswick, Victor and Vocalion during the last 15 months of
King Oliver's recording career. Beginning with a pair of tunes from the session of November 6, 1929 which featured
James P. Johnson at the piano, this collection samples most of
Joe Oliver's late period recordings, right through to his very last session, a Vocalion date with the Chocolate Dandies on April 15, 1931. By late 1929,
King Oliver's chops had deteriorated to the point where trumpet solos were performed by others, most notably
Oliver's nephew Dave Nelson,
Bubber Miley and
Henry "Red" Allen. Other important players who sat in on some of these records were trombonist
Jimmy Archey, reedmen
Buster Bailey and Hilton Jefferson, and steel guitarist
Roy Smeck, spotlighted on "Everybody Does It in Hawaii." This is an OK taste of
King Oliver, although his earlier recordings give a better indication of what he could do with a cornet and how smaller, more authentically New Orleans-styled groups operated under his commanding leadership. Anyone who sides with
Louis Armstrong by maintaining love and respect for
Oliver will gratefully absorb his complete recordings without judging any of them too harshly. The best way to listen to
King Oliver is sequentially, using all five of his volumes from the Classics chronological series; add on
King Oliver's sessions as a sideman with
Clarence Williams and you'll get the bigger picture. ~ arwulf arwulf