Although
Art Taylor was one of the busiest modern second-generation jazz drummers, working in the studio with
Coleman Hawkins,
Donald Byrd,
John Coltrane and many others, he only released five albums under his own name, of which
A.T.'s Delight was the third. And a delight it is indeed, bright and percussive, and when conga player
Carlos "Patato" Valdes joins
Taylor and pianist
Wynton Kelly and bassist
Paul Chambers on three cuts (
Thelonious Monk's "Epistrophy," "Move" and a
Taylor calypso-inflected original called "Cookoo and Fungi"), the rhythm pocket opens into a deep blue sea for the horn men (
Stanley Turrentine on tenor sax and
Dave Burns on trumpet). "Move" does exactly that, it moves, and at a blistering pace.
Monk's "Epistrophy," thanks in part to
Valdes, reveals its rumba roots, and has never sounded brighter. The seldom-covered
Coltrane composition "Syeeda's Song Flute" seems likewise refreshed and revived. The lone
Taylor original, the driving "Cookoo and Fungi," is as sharp and alert is a kitten waking from a nap in the spring sun, and
Taylor's drum solo is crisp, efficient and slides seamlessly into the calypso-informed main theme.
A.T.'s Delight is a solid outing, with a wonderfully nervous but completely focused energy.