Arrows, the follow-up to 1978's
The Blue Man, has
Khan again signed directly to Columbia rather than Tappen Zee, where
Bob James produced
Khan's 1977 debut, Tightrope. With commercial considerations a non-issue and armed with a vague concept,
Arrows is often a humorless and bleak affair despite the skills of the talented guitarist.
Khan shares the production duties with
Elliot Scheiner on this 1979 effort. Almost immediately,
Arrows seems to suffer from a lack of direction. While the 11-minute-and-42-second concept song "City Suite" offers nary a memorable riff, "Candles" has
Khan doing some great unnerving solos with
Michael Brecker supporting on soprano sax. The insistent "Some Arrows" finds the rote backing of most
Khan's fiery solos null and void. "Calling" has some of the tunefulness of Tightrope and has him easily accessing the sense of longing and drama the earlier tracks stumbled over. Like many albums of the time,
Arrows is a New York effort through and through, with players like
Don Grolnick,
Randy Brecker, and
David Sanborn doing sturdy work.
Khan's work here is steady but the influx of fragments rather than songs causes
Arrows to only be recommended to hardcore late-'70s jazz fans and guitar fanatics.