Art Farmer's stay at Concord Jazz was relatively brief. The ex-trumpeter turned full-time flugelhornist only recorded two albums for Concord -- A Work of Art in 1981 and Warm Valley in 1982 -- both of which were produced by the late Concord founder Carl Jefferson. In 2001, Concord reissued the acoustic hard bop dates back to back as the two-CD set
ARTistry.
Farmer excels on both albums, which isn't surprising because his work was quite consistent in the '80s. A Work of Art and Warm Valley both find the improviser leading quartets; neither album uses a saxophonist and both feature a young
Fred Hersch on piano. But while A Work of Art employs Bob Bodley on bass and
Billy Hart on drums,
Farmer is joined by bassist
Ray Drummond and drummer
Akira Tana on Warm Valley. As one might expect, the
Bill Evans-influenced
Hersch is a major asset on both albums.
Hersch's pianism is perfect for these sessions because, like
Farmer, he is swinging but extremely lyrical. For
Farmer, bop wasn't just about how many notes you could play or how fast you could play them; it was about being expressive and telling a story, and
Hersch felt the same way, which is why the musicians enjoy such a strong rapport on material that ranges from
Tommy Flanagan's "Eclypso" and
Billy Strayhorn's "Upper Manhattan Medical Group" to three
Hersch pieces: "One for Sam," "And Now There's You," and "Summersong."
ARTistry falls short of essential, but it's still a highly rewarding example of how great
Farmer sounded in the '80s. ~ Alex Henderson