This studio session, recorded five years after
Live in Berlin, is tighter and more controlled than the earlier live date. The replacement of
Wayne Horvitz's keyboards and keyboard bass with Ann Rupel's conventional bass guitar has given the group a more solid rhythmic underpinning, but also slightly less of the wacky improvisational sensibility which
Horvitz brought to the bandstand. Altogether, the music tends to stay more within its defined "radical funk" borders rather than spilling out recklessly in all directions, and there's more ensemble playing and a more definite structure to most of the twelve selections. That's not to say that
Curlew has gone conservative on
Bee.
Tom Cora's scrabbling, acidic cello is challenging and unconventional as always, and leader and saxophonist
Cartwright can still cut loose with squealing runs and mighty blasts of sound. In particular, guitarist
Davey Williams comes into his own on this CD, not only showing off a prodigious technique but also a real musical imagination and a command of various instrumental styles, from gutbucket blues to noise jazz. ~ Bill Tilland