Oboists are not generally among the ranks of the most prominent instrumental soloists, but this delightful album featuring German player
Albrecht Mayer, the principal oboist of the
Berlin Philharmonic, makes a strong case for wider solo exposure for the instrument. Bonjour Paris is a survey of (mostly) French music of post-Romantic, Impressionist, and conservative contemporary vintage, and some pieces feature
Mayer playing the English horn or the oboe d'amore. Some of the works were originally scored for oboe, such as
Françaix's L'Horloge de Flore, d'Indy's Fantaisie sur des themes populaires français, and Swiss composer Gotthard Odermatt's "Été," written for
Mayer and imagined as an oboe concerto that
Ravel might have written. Other pieces include idiomatic and inventive transcriptions or arrangements of works by
Debussy,
Ravel,
Satie,
Fauré, and Hahn. It's an entirely appealing collection that should interest any fan of lush, lyrical French repertoire. It's made even more attractive by the outstanding quality of
Mayer's playing. His tone is exceptionally sweet and pure, without any of the reediness that can characterize some oboe sounds. His interpretations, too, are first-rate: subtly inflected, warmly lyrical, and above all, soulfully expressive.
Academy of St. Martin-in-the-Fields, led by
Mathias Mönius, offers a colorful and sensitive accompaniment. Decca's sound is clean, rich, atmospheric, and nicely balanced.