Having at last laid
Roxy to bed with its final, intoxicatingly elegant albums,
Ferry continued its end-days spirit with his own return to solo work. Dedicated to
Ferry's father,
Boys and Girls is deservedly most famous for its smash single "Slave to Love." With a gentle samba-derived rhythm leading into the steadier rock pace of the song, it's '80s
Ferry at his finest, easy listening without being hopelessly soporific. As a whole,
Boys and Girls fully established the clean, cool vision of
Ferry on his own to the general public. Instead of ragged rock explosions, emotional extremes, and all that made his '70s work so compelling in and out of
Roxy,
Ferry here is the suave, debonair if secretly moody and melancholic lover, with music to match. Co-producer
Rhett Davies, continuing his role from the latter
Roxy albums, picks up where
Avalon left off right from the slinky opening grooves of "Sensation." The range of people on the album is an intriguing mix, from latterday
Roxy members like
Andy Newmark and
Alan Spenner to avid
Roxy disciples like
Chic's
Nile Rodgers. Everyone is subordinated to
Ferry's overall vision, and as a result there's not as much full variety on
Boys and Girls as might be thought or hoped. The album's biggest flaw is indeed that it's almost too smooth, with not even the hint of threat or edge that
Ferry once readily made his own. As something that's a high cut above the usual mid-'80s yuppie smarm music, though,
Boys and Girls remains an enjoyable keeper that has aged well. ~ Ned Raggett