Any doubts that
Aterciopelados were fundamentally a vehicle for the songs of
Héctor Buitrago and
Andrea Echeverri disappear on
Caribe Atómico. Everything is pared down to bare bones here -- the band to the songwriting duo, the full-group sound down to minimalist song melodies and programmed backbeats, and traces of the old rock flavor surface only as a change of pace amidst the prevailing dance world/electronica. Producer
Andres Levin is the key third party, with occasional guest cameos from New York underground scenesters
Arto Lindsay and
Marc Ribot and some Latin music mainstays.
Echeverri's voice is really the whole show, floating over and through introspective, dream-like sketches matched by arrangements that are all atmosphere and textures; a lesser singer couldn't pull it off, but she proves to be up to the challenge. The title track is a forceful, cautionary protest of Caribbean pollution, but none of the songs jump up and really rock. "Doctora Corazon" has one of those ghostly house keyboard hooks and a chorus that most closely recalls the old group until it closes with a violin soloing over a Latin rhythm. "El Desinflar de Tu Cariño" gets into a Latin groove, "Miénteme" melds sound effects with Latin horns, and
Vinicius Cantuaria guests on "Mañana," a samba that fits the tone of
Echeverri's voice perfectly.
Echeverri and
Buitrago jumped off the deep end on
Caribe Atómico in an obvious attempt to explore new musical currents. Fans of
Aterciopelados' first two CDs may wish it wasn't such a radical break from the group's rocking past, but it's an experiment that largely works. ~ Don Snowden