Bassist
Smith (not the drummer of the same name) presents a straight piano-bass-drums jazz trio, but the music is far from straight-ahead, though it is within the modern mainstream. Pianist
Richie Beirach adds both new dimensions and his personal harmonic mysterioso embellishments to four of
Smith's originals, three standards, and two zingers. Drummer
Billy Hart sounds more inspired here than on any previous recordings. His punctuations and shadings are fresh as ever, working extraordinarily well with
Smith, whose deliberate, patient, unspectacular bottom tones provide the coal for
Beirach's sulfur and
Hart's diamonds. The result is a gunpowder fuse to blast open your ears. The most remarkable selections of the nine are three standards revamped by
Beirach, for the most part. His abstracted "Stella by Starlight," loaded with chord substitutions, cannot be explained. A willowy, dark bossa with repetitive piano chords changes up "All the Things You Are," and a heavier ten-fingered
Beirach complements and overpowers the standard melody of "You Don't Know What Love Is."
Smith's compositions include the title track, a light samba made heavier by deep piano and active drums; "Blue Cave" as a brooding, understated slow waltz with
Beirach's signature explorations; a rubato to lugubrious "Kilauea"; and the delicately bouncing, quick, and bright waltz "Distant Voices" (with a large drum solo from the witty
Hart). Also included is
Beirach's famous and floating "Elm," sporting suspended animation in the ECM fashion that beguiles
Smith. The closer,
John Coltrane's "Expression," is also done freely and lovingly in no time. This is not your father's
Waller-
Tatum-
Hines jazz trio, unless he's into
Bill Evans,
Mal Waldron, or
Paul Bley.
Smith, who loves the music of
Scott LaFaro and that kind of postmodern bassist, has made quite a statement with this extraordinarily consistent and inspired performance.