This is a fascinating set. Although the instrumentation (pianist
Paul Bley, bassist
Furio DiCastri and
Tony Oxley on drums and percussion) may lead one to expect a conventional piano trio, in reality the 13 selections consist of four drum solos, one unaccompanied bass piece, two piano solos, a piano-drums duet and just five trio numbers.
Bley's use of space and dynamics gave free jazz pianists in the 1960s an alternative approach to
Cecil Taylor; here he sounds quite creative and his opening "Chaos" is a near-classic.
DiCastri, who is very inventive on his unaccompanied "Touching Bass," is intuitive and displays a huge tone. However, it is
Oxley who often steals one's attention. His wide array of equipment makes one think that he raided a junkyard, and his four solos are full of color rather than technique, surprises rather than swing. While many drum/percussion solos lose a great deal when the visual element is not present,
Tony Oxley's transfer very well to disc. This set of concise free improvisations is highly recommended to open-minded listeners. ~ Scott Yanow