Tony Molina shot to the attention of discerning indie rock fans with the release of 2013's
Dissed and Dismissed, a 12-tracks-in-12-minutes album that featured double-tracked heavy metal guitar heroics, timeless
Teenage Fanclub-style melodies, and
Molina's unassumingly perfect vocals. It was basically a perfect record, but it didn't present a complete picture of everything the former, sometime-hardcore punk singer
Molina could do. The Sub Pop single that followed the album gave a clue to his range, with a couple of acoustic tracks mixed in among the tightly wound rockers. It harkened back to his previous band Ovens, and some of his earliest solo work, which always had some quieter acoustic songs in the mix. His eight-song, 11-minute single for Slumberland heads almost entirely in that direction, while adding some subtle keyboards and showing off
Molina's abiding love for
the Beatles. At least two of the songs, "I Don't Want to Know" and "Hung Up on the Dream" sound like his reinterpretation of "Strawberry Fields," and "See Me Fall" borrows the melody and more from "And I Love Her." The rest of the single is gentle and sweet, with the ghost of fellow
Beatles lover
Elliott Smith hovering over
Molina's shoulder as he strums (especially on "No One Told Me"). The only track that seems connected to
Dissed is the instrumental cover of
Thin Lizzy's "Banshee," which closes the single with some welcome dual guitar leads.
Molina could have cranked out
Dissed and Dismissed parts two through ten and his formula wouldn't have gotten stale, that he took a risk and made his first appearance on Slumberland so quiet and unlike the music that earned him recognition is a daring move. It shows there is more to
Molina than initially met the eye, and sets him up to take future releases in almost any direction he chooses. Wherever he may go, lovers of short and to-the-point pop songs with subtle emotions, smartly played guitars, and earnest vocals should be sure to follow.