With the possible exception of cornball trumpeter
Clyde McCoy, nobody could impart humanistic sounds to a plunger mute like
Cootie Williams. Certainly nobody could make a trumpet growl like he did, full of feral shrieks and blasts and vocal tones galore. As a member of the
Duke Ellington Orchestra during its heyday,
Williams was big enough potatoes that when he left
Ellington to join up with
Benny Goodman in the early '40s, it prompted a tune titled "When Cootie Left the Duke." No two ways about it, the man could blow. As part of the 100th birthday celebration of all things
Ellington, RCA is reissuing all the solo projects done by his famous sidemen. This 12-song album from 1958 -- appended with 11 more that appeared as singles from the year before -- shows that
Williams' broad style was still mightily intact some 30 years after joining the
Ellington fold. Unlike the other
Ellington sidemen projects in this series,
Williams performs on
Cootie Williams in Hi-Fi with a full-blown big band, turning in swinging readings of such chestnuts as "Just in Time," "Summit Ridge Drive," and "My Old Flame." Oddly, these big-band sides don't honor the Duke musically except when
Cootie and the band tackle old favorites like "Caravan." The non-album tracks are a varied lot. "Rinky Dink" sounds like a
Bill Doggett outtake (and features some uncharacteristically bluesy rock & roll guitar from
Kenny Burrell!); other tracks skirt the place where blues and R&B meet jazz, at the end of a dark alley. But just listen to that closing blast from
Williams on "New Concerto for Cootie," which officially closed the original LP, and you'll know that
Cootie Williams remained a Duke man to the end.