A French craze for exotic rhythms and dances like the cha-cha and the mambo inspired
Serge Gainsbourg to explore Latin and Caribbean rhythms at the outset of his career;
Couleur Cafe collects 20 of these beat-driven recordings, which span from 1959 to work from as late as 1974. More than his jazz performances of the same period, the earliest songs on the set presage the direction taken on his pop records; in addition to the distinctly snotty attitude which pervades cuts like "Laissez-Moi Tranquille" and "L'Anthracite," the nine tracks taken from the 1964 recording
Gainsbourg Percussions innovatively embrace African rhythms while focusing on the thematic concerns (specifically cigarettes, American culture and young girls) of his seminal later work.