Sounding something like a pale, staccato
Big Daddy Kane rapping over mechanical metal guitar marches, vocalist
Zak Tell and
Clawfinger mix in a little '80s hip-hop with their
The Real Thing-era
Faith No More aesthetic on this 1993 debut.
Tell,
Jocke Skog (keyboards, drum programming),
Erlend Ottem (guitars), and
Bård Torstensen (guitars) made quite a splash in Europe with this, their best-selling release, winning numerous awards including two Swedish Grammys. More industrial than late-'90s American hard-hop giants
Rage Against the Machine and
Limp Bizkit, by comparison
Clawfinger are uptight and repetitive in their delivery. Lyrically,
Tell treads the familiar ground of unnecessarily vulgar, monolithic verbiage that comes off as pedestrian at best and painfully corny when the Swede's sexually violent English imagery is at its worst.
Clawfinger are hardly unique with regard to their silly nu metal lyrics, and the band's musically impressive songwriting -- most evident during the choruses of standout tracks "Don't Get Me Wrong" and "Sad to See Your Sorrow" -- generally makes up for the second-language blundering. Lacking the innovation of this debut, subsequent releases achieved comparatively little commercial and critical success, leaving
Deaf Dumb Blind as the first, and perhaps the only,
Clawfinger disc needed to round out any old-school rap-metal collection.