English electro-alternative quintet
the Ramona Flowers blend dense beats, synth-heavy instrumentation, and all the trappings of classic arena rock on their debut album,
Dismantle and Rebuild. Some of the 11 selections featured here were included on previous singles and EPs -- the moody acoustic guitars and falsetto vocals of "Lust and Lies" and the jerky drum machines and spare dubsteppy bassline of the title track showed up in identical versions of the songs even two years prior to the album, setting the scene for this more filled-out collection of the band's highly arranged hybrid of electronic atmospheres and more traditional rock sounds. Vocalist
Steve Bird's range often flutters between a large spectrum of influences, calling on the spirit of
Bono for the album's more bombastic moments, more shy and indie-leaning tones on softer songs, and even dipping into a mode that marries the tortured mumble of
Radiohead's
Thom Yorke to a
Depeche Mode-like sound on synth rockers like "Skeleton Key." The spare drums-and-bass intro of "Modern World" comes on like a strange jam session between
the Cure in their earliest days and
Kick-era
INXS, blooming into a glowing and melodic chorus where organic instruments and soft synth pads mesh nicely. The album's production is handled by
Andy Barlow of the like-minded group
Lamb, and the album wraps up nicely with the gentle, trip-hoppy ballad "Like a Feather," featuring guest vocals from
Lamb's
Lou Rhodes, whose grainy low register provides a gracious counterpoint for
Bird's soaring falsetto. With a sound falling somewhere between low-key, late-night indie fare and a seasoned arena rock act,
Dismantle and Rebuild is a strong, colorful debut and points toward even better things in the future from
the Ramona Flowers.