During the middle of a preplanned hiatus by
Manic Street Preachers,
James Dean Bradfield was introduced to the life and work of
Victor Jara, a Chilean singer and writer who stood in opposition to the regime of General Augusto Pinochet until the dictator's military murdered the activist in 1973.
Bradfield's introduction came through the poems of
Patrick Jones. The brother of
Manic Nicky Wire,
Jones wrote a clutch of pieces about
Jara but didn't plan to publish them, so
Bradfield turned the prose into songs for
Even in Exile. Keenly conscious of the possibility of wandering into cultural appropriation,
Bradfield doesn't attempt to replicate or interpolate
Jara's original music. When he does cover "La Partida," it's as an instrumental delivered with the widescreen grandeur that's his signature, either within the
Manics or without, and that sensibility unites
Even in Exile as a whole.
Bradfield has a knack for turning political material into passionate melodrama and those instincts serve him well on
Even in Exile, where the urgency of the melodies and performances are intertwined with
Jones' words.
Even in Exile shouldn't be seen as a definitive biography of
Jara but rather an impressionistic portrait of a dissident whose story remains gripping and inspirational decades after his death. The key to
Bradfield's album is how it respectfully salutes
Jara while conveying the emotions and ideas stirred within the singer/songwriter -- a rare trick that is quite compelling on this urgent yet nuanced song cycle.