If
Dixie Chicken represented a pinnacle of
Lowell George as a songwriter and band leader, its sequel
Feats Don't Fail Me Now is the pinnacle of
Little Feat as a group, showcasing each member at their finest. Not coincidentally, it's the moment where
George begins to recede from the spotlight, leaving the band as a true democracy. These observations are only clear in hindsight, since if
Feats Don't Fail Me Now is just taken as a record, it's nothing more than a damn good rock & roll record. That's not meant as a dismissal, either, since it's hard to make a rock & roll record as seemingly effortless and infectious as this. Though it effectively builds on the Southern-fried funkiness of
Dixie Chicken, it's hardly as mellow as that record - there's a lot of grit, tougher rhythms, lots of guitar and organ. It's as supple as Chicken, though, which means that it's the sound of a touring band at their peak. As it happens, the band is on the top of their writing game as well, with
Bill Payne contributing the rollicking "Oh Atlanta" and
Paul Barrere turning in one of his best songs, the jazzy funk of "Skin it Back." Each has a co-writing credit with
George --
Payne on the unreleased
Little Feat-era nugget "The Fan" and
Barrere (plus Fred Martin) on the infectious title track -- who also has a couple of classics with "Rock and Roll Doctor" and the great "Spanish Moon." Feats peters out toward the end, as the group delves into a 10-minute medley of two
Sailin' Shoes songs, but that doesn't hurt one of the best albums
Little Feat ever cut. It's so good, the group used it as the template for the rest of their career. ~ Stephen Thomas Erlewine