With
Final Straw,
Snow Patrol mainman
Gary Lightbody seems to take all the inspiration he's gathered from the superstar collaborators in his
Reindeer Section project and bundle it into a series of earnest bombastic rock ballads. Producer
Garrett Lee deserves credit up-front for expanding the band's sound even further from the lush symphonic grandeur of
When It's All Over We Still Have to Clear Up. Here,
Lightbody and his cohorts traverse the same anthemic territory as
Idlewild, with guitars cranked to the max. But where his friend
Roddy Woomble of
Idlewild soars all over the map vocally,
Lightbody prefers the immediate and somewhat indifferent vocal style of another friend,
Aidan Moffat of
Arab Strap. Indeed, much of
Final Straw feels like a middle ground between these two bands, if not for the violins, xylophones, and percussion
Lee layers into the mix. Thanks to extra ornamentation, "Gleaming Auction" steps into the swirling realm of
Rollerskate Skinny, as wobbly dynamics add interest to punishing guitars. If one gets the sense that
Lightbody is shuffling through influences, ranging from all of the above-mentioned bands to
Radiohead,
Coldplay ("Somewhere a Clock Is Ticking" seems to be a more rocking cousin to
Coldplay's "Clocks"), and even
Pink Floyd (on the unmistakably
Dark Side of the Moon-influenced "Same"), his mastery of mood and adherence to harmonies make for a consistently coherent and compelling 40 minutes. Highlights include the throbbing cacophony that is "Wow" and "Spitting Games," which seems like a cascading Wall of Sound feedback-free descendant of
My Bloody Valentine.
Final Straw is another strong slab of emotion and invigorating energy from a solid band that mixes its influences into an always heady sonic libation.