Five Men in a Hut is basically the final roundup for
Gomez's Hut/Virgin years, but it's a positive boon for fans, especially in the U.S. In the U.K., each
Gomez album had at least a few associated singles, but they never got the same treatment stateside. Since each album had a certain specific "sound" to it, one can see how some of these songs wouldn't have fit with the album they were recorded with, but the B-sides were hardly throwaways. In fact, the B-sides were often excellent and allowed the band to try different things and stretch out a bit.
Abandoned Shopping Trolley Hotline gathered a few of these tracks, but more than half of
Five Men in a Hut is comprised of B-sides (and two previously unreleased tunes) so ultimately all the A's and B's of many of these singles are now readily available. Each disc of this set is packed with music; it would have been difficult to include much more. Highlights include the country-ish "Tanglin'," "Best in Town," and the hilarious "Dire Tribe." There's a wonderful cover of
Charley Patton's "Mississippi Boll Weevil Blues" and they put a horn section to good use on "Chicken Bones." "Air Hostess Song" borders on electronica, as does the vocodered "ZYX." Since each album was different from the others, it's really interesting to hear all the different
Gomez sounds together on the same album. This would make an excellent introduction to the band, but it's at least as exciting for the longtime fan (if not more so) since more than half of this material has been difficult if not impossible to track down. Ultimately, excluding the alternate mixes of album tracks and live cuts that weren't included here, there are only seven remaining songs that exist only on singles. Songs like "Who's Gonna Go to the Bar," the epic, sprawling "Gomez in a Bucket," and the vinyl-only "Wham Bam" will apparently remain unavailable, but
Abandoned Shopping Trolley Hotline and
Five Men in a Hut together will satisfy all but the most rabid
Gomez collector.
Five Men in a Hut is a great summation of this fantastic band's early years. ~ Sean Westergaard