The last
Spectrum album proper for a number of years, and one of
Sonic's last open dips into pop structure for the rest of the 1990s,
Forever Alien continues what
Songs for Owsley had already indicated -- a keyboard-dominant set of songs, with
Sonic merrily using and abusing the heck out of a series of old synths. Theremins and vocoders crop up as well, and the result feels and sounds like a head-on collision between 1957-era sci-fi movies, 1968 psych, and whatever else is floating through
Sonic's brain. One definite nod to a past influence comes with the song title "Delia Derbyshire" -- one of the legendary BBC Radiophonic Workshop regulars, commissioned to come up with appropriate themes and noises for the likes of Doctor Who. Assisted by
Pete Bain and
Alf Hardy, he comes up with some crackers, three of the best being reappearances from
Songs for Owsley. Besides "Owsley" itself, there's "Feels Like I'm Slipping Away," the amazing opening song -- a slow slide downward with
Sonic's singing treated to give an air of desperation among all the unworldly burbles and noises, it's a pretty melody making a wonderful contrast. Then there's "The New Atlantis," with lyrics from Francis Bacon's book of that title about "sound-houses" -- a very
Sonic subject -- mixed with both a recurring melody and utterly random blurbs and burbles. A slightly surprising but quite successful trip into the past comes with a remake of
Spacemen 3's "How Does It Feel?," here titled "The Stars Are So Far." The lyric and its seemingly diffident delivery remain the same, but the tripped-out, rhythmic backing comes from synths this time around, an organic but still unfamiliar combination. The "Space Age" version of the album includes the remaining two tracks from
Songs for Owsley in slightly different form, along with "Sounds for a Thunderstorm (For Peter Zinovieff)," unsurprisingly an homage to said composer.