Name: Franz Benda: 6 Violin Sonatas par Anton Steck
Brand: Anton Steck
SKU: 761203721429
Price: 9.9 USD
Availability: OnlineOnly
Rating: 3 (126 reviews)

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Volume 1

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Violin Sonata in C Major, L. III:2 - Franz Benda
1

I. Largo

04:00

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04:00

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2

II. Allegro non molto

03:25

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03:25

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3

III. Presto e scherzando

04:18

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04:18

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Volume 2

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Violin Sonata in A Minor, L. III:121 - Franz Benda
1

I. Larghetto

02:40

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02:40

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2

II. Vivace

02:53

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3

III. Tempo di minuetto

04:05

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Volume 3

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Violin Sonata in F Major, L. III:63 - Franz Benda
1

I. Un poco allegro

04:21

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2

II. Adagio

02:39

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3

III. Allegretto

04:07

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Volume 4

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Violin Sonata in E Major, L. III:47 - Franz Benda
1

I. Adagio

02:03

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02:03

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2

II. Allegro ma non molto

04:25

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3

III. Allegro

03:50

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Volume 5

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Violin Sonata in C Major, L. III:1 - Franz Benda
1

I. Adagio

02:49

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2

II. Allegro

03:19

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3

III. Presto

04:56

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Volume 6

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Violin Sonata in E-Flat Major, L. III:40 - Franz Benda
1

I. Allegro

03:06

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2

II. Adagio

02:59

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3

III. Andante con variazioni

08:42

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Along with the likes of Heinrich Ignaz Biber and Johann Georg Pisendel, Franz Benda is another member of the class of Baroque composers who wrote (and performed) extensively for the virtuoso violin. Some of these names may seem somewhat unfamiliar, perhaps because they were not associated with the Italian school like Locatelli and Vivaldi. However, the Czech-born Benda in particular wrote some of the most spectacular and dazzling compositions for the violin to come out of the Baroque. Unlike many of his contemporaries, however, Benda was known as much (perhaps more) for his soothing, cantabile middle movements as he was the more showy outer movements. Virtuoso compositions require virtuoso performances; Anton Steck has made a name for himself with his far-reaching recordings of virtuoso Baroque violin works, and with good reason. His technique is dazzling and more than sufficient to push each of these works to the absolute limit of tempo without so much as breaking a sweat. Steck's playing never comes across as labored or even the slightest bit difficult. Intonation is generally spot on, with blemishes being so infrequent as to be hardly worth mentioning. CPO's sound appropriately favors the solo violin over the harpsichord accompaniment; sometimes, though, the harpsichord is almost too quiet and listeners may strain to hear the important accompaniment.
© TiVo

Franz Benda: 6 Violin Sonatas

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Volume 1

Volume 2

Volume 3

Volume 4

Volume 5

Volume 6

Volume 1

1. Violin Sonata in C Major, L. III:2: I. Largo

2. Violin Sonata in C Major, L. III:2: II. Allegro non molto

3. Violin Sonata in C Major, L. III:2: III. Presto e scherzando

Volume 2

1. Violin Sonata in A Minor, L. III:121: I. Larghetto

2. Violin Sonata in A Minor, L. III:121: II. Vivace

3. Violin Sonata in A Minor, L. III:121: III. Tempo di minuetto

Volume 3

1. Violin Sonata in F Major, L. III:63: I. Un poco allegro

2. Violin Sonata in F Major, L. III:63: II. Adagio

3. Violin Sonata in F Major, L. III:63: III. Allegretto

Volume 4

1. Violin Sonata in E Major, L. III:47: I. Adagio

2. Violin Sonata in E Major, L. III:47: II. Allegro ma non molto

3. Violin Sonata in E Major, L. III:47: III. Allegro

Volume 5

1. Violin Sonata in C Major, L. III:1: I. Adagio

2. Violin Sonata in C Major, L. III:1: II. Allegro

3. Violin Sonata in C Major, L. III:1: III. Presto

Volume 6

1. Violin Sonata in E-Flat Major, L. III:40: I. Allegro

2. Violin Sonata in E-Flat Major, L. III:40: II. Adagio

3. Violin Sonata in E-Flat Major, L. III:40: III. Andante con variazioni

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