Years of apprenticeship with
Albert Collins and
John Mayall paid off handsomely for
Montoya on this debut effort. Even with help from some famous friends (
Debbie Davies,
Al Kooper, Richie Hayward [
Little Feat], and both former employers),
Montoya asserts himself as the focal point. Sadly, this was one of
Collins' last studio appearances before his death, playing on the
Lowell Fulson-penned "Talking Woman Blues" (commonly known as "Honey Hush"). Although
Montoya showcases his massive guitar muscle, it is merely a fraction of the power of his live performances. ~ Char Ham