In its time, the high Baroque oboe concerto was the ne plus ultra of the virtuoso, the sin qua non of the soulful, and the denier cri of the tuneful. But times change and for all but the most epicurean of the cognoscenti, the oboe concertos of
Johann Gottlieb Graun,
Johann Ludwig Krebs, and
Georg Philipp Telemann are at best terra incognito and at worst nearly persona non grata. In his day,
Heinz Holliger was the crème de la crème of oboe virtuosity, the apex, the acme, and the essence of the metaphysical quintessence of oboe virtuosity. So great was
Holliger's celebrity that, after he had finished recording the oboe concertos of
Mozart,
Bach, and
Strauss, he was allowed to record the oboe concertos of
Graun,
Krebs, and
Telemann.