Teamed with
Rick Kemp,
Prior turns in her best non-
Steeleye Span folk-rock performance, with heavy amplification, crisp electric guitars, and accordion for support. Her airy vocals and the heavy electric sound make this a superb adjunct to the best rock sides by
Steeleye (Commoner's Crown, etc.), although this stuff has more of a contemporary feel, relating to
Prior's Steeleye Span work roughly the way
Dylan's best '70s and '80s stuff relates to his '60s folk and folk-rock sides, with a definite rock beat and pop music feel. There's also a strong social consciousness at work, with topical songs dealing with unemployment and privation amid love songs and a very playful cover of "Who's Sorry Now."