Tom Petty's concept for his third solo album is laid bare in its very title: it's called
Highway Companion, which is a tip-off that this record was made with the road in mind. As it kicks off with the chugging
Jimmy Reed-via-
ZZ Top riff on "Saving Grace," the album does indeed seem to be ideal music for road trips, but
Petty changes gears pretty quickly, down-shifting to the bittersweet acoustic "Square One." Although the album ramps back up with the '60s-styled pop of "Flirting with Time" and the swampy,
Dylan-esque "Down South," the quick move to the ruminative is a good indication that for as good as
Highway Companion can sound on the road,
Petty looks inward on this album just as frequently as he looks outward. Perhaps this is the best indication that this is indeed a solo affair, not a rock & roll record with
the Heartbreakers.
Petty of course doesn't go it completely alone here: his longtime guitarist
Mike Campbell is here as is producer/co-writer
Jeff Lynne, who helmed
Petty's 1989 solo debut,
Full Moon Fever, and
the Heartbreakers' 1991
Into the Great Wide Open and now returns to the fold 15 years later.
Lynne's previous
Petty productions were so bright, big, and shiny, they would have been suitable for an
ELO album, and given that track record, it would be easy to assume that he would follow the same template for
Highway Companion, but that's not the case at all.
Highway Companion has as much in common with the rustic, handmade overtones of 1994's
Wildflowers as it does with the pop sheen of
Full Moon Fever -- it is precise and polished, yet it's on a small scale, lacking the layers of overdubs that distinguish
Lynne's production, and the end result is quite appealing, since it's at once modest but not insular. But
Highway Companion also feels a little off, as if
Petty is striving to make a fun rock & pop record -- a soundtrack for the summer, or at least a good drive -- but his heart is in making a melancholy introspective album, where he's grappling with getting older. This gives the album a sad undercurrent even at its lightest moments, which makes it ideal for driving alone late at night. Since it arrives after the bombastic
The Last DJ, it's refreshing to hear
Petty underplay his themes here, and it also helps that
Lynne helps toughen up his songcraft. All this makes
Highway Companion at the very least another typically reliable collection from
Petty, but at its core, it's moodier than most of his records. It has a lot in common with
Petty's divorce album,
Echo, but it's coming from a different place -- one that's content, yet still unsettled. That may mean that this album isn't quite as fun as it initially seems on the surface, but that bittersweet undercurrent does indeed make
Highway Companion a good partner for long nights on the road.