Cunningly, the first track on the first disc of this four-disc set dedicated to
Arturo Benedetti Michelangeli's EMI recordings is his heaven-storming 1948 performance of
Busoni's arrangement of
Bach's Chaconne from his D minor Partita. If after its storms and thunder have faded the listener remains unconvinced of
Michelangeli's virtuosity, intensity, and musicality, there is nothing else to be done. Because though the sound of some of the recordings here, including that of the Chaconne, is antique, the brilliance, tone, and depth of
Michelangeli's playing is evident throughout. His prewar and war-time recordings of sonatas by
Scarlatti and
Beethoven are impeccably played and elegantly expressive, and though typically played out of order, his postwar
Brahms' Paganini Variations is nearly demonic in its relentless drive. In recordings from the early '50s of three of
Mozart's concertos,
Michelangeli takes a slower tempo than one might expect, but his right hand's graceful legato and subtle left-hand rubato keeps the tempo flowing. His later, better known stereo recordings of
Haydn's concertos are witty and poised, particularly in
Nino Rota's two cadenzas. The best-known recordings here are
Michelangeli's heroic take on
Schumann's Carnaval, his Olympian reading of
Ravel's Concerto in G, and his Dionysic account of
Rachmaninov's Piano Concerto No. 4. Some might reasonably point out that the pianist also made many great recordings for Deutsche Grammophon, but after hearing it, few would deny that his EMI recording of the
Bach/
Busoni Chaconne all by itself justifies
Michelangeli's outsized reputation.