Few bands in the history of rock & roll left behind as powerful a legacy as
the Clash, and no one in that group symbolized passion and belief like singer, guitarist, and songwriter
Joe Strummer. The Clash were a great band, with all members vital to the whole, but it's impossible to imagine them without the blazing intensity of
Strummer's full-hearted bray, thoughtful but rabble-rousing lyrics, and relentless rhythm guitar work. While
Mick Jones may have been the band's most talented member, it's significant that
Strummer could lead a flawed but credible version of
the Clash without him (even if the album
Cut the Crap captured almost none of the virtues of the group's final lineup).
Strummer's work with
the Clash casts a long shadow, but the music he made outside of the band is often regarded as a footnote, and that gives a vital part of his body of work short shrift. It's true that
Strummer never played in a band better than
the Clash, yet his talent and ambitious creative vision was clear regardless of the context, and the 2018 collection
Joe Strummer 001 is a testament to his restless muse and the depth of his work as a tunesmith.
Joe Strummer 001 includes a few tracks from
Strummer's pre-
Clash pub rock band
the 101'ers (including the engaging "Keys to Your Heart"), but the vast majority of the material dates from after
Strummer dissolved
the Clash in 1986, and with the notable exception of the harrowing "Love Kills" (recorded for the film
Sid & Nancy), for the most part this finds him moving past the into-the-wind punk that was his band's trademark in favor of an eclectic brand of international influences, from the rough Latino boogie of "Trash City" and the raga-flavored folk of "Johnny Appleseed" to the widescreen Americana of "Tennessee Rain," the jazzy sway of "The Cool Impossible," and the percolating rock/hop hybrid "US North" (recorded in tandem with
Mick Jones and suggesting what
Big Audio Dynamite could have been like with
Strummer's fire fusing with
Jones' smarts).
Joe Strummer 001 also includes an early demo for what would become "This Is England," as well as "Pouring Rain," another track from
the Clash's final days that shows what
Cut the Crap could have been without Bernie Rhodes' monumentally wrong-headed production. Throughout these songs,
Strummer's gift for telling stories and drawing characters shines through, and at his best, he sounds like the rare songwriter who absorbed the influences of beat poetry and molded it into something very much his own. This is hardly the last word on
Joe Strummer's music outside
the Clash, but
Joe Strummer 001 should convince any doubters that the man never stopped being a talent to be reckoned with, regardless of the size of his audience.