In the hands of
Richard Galliano, the mechanical intricacies of the accordion become agents of a compelling musical power, grace, and expression. A virtuoso of the instrument,
Galliano exploits the complete orchestral potential of the keys, buttons, and air beneath his fingers. On Laurita, his musicianship is put in the service of utterly swinging jazz that is informed by the romantic and impressionistic influences of
Galliano's French-Italian heritage. Call it the soundtrack for the boulevardier who likes to chase his espresso with a shot of bop. The core group on this 1995 session is
Galliano, drummer
Joey Baron, and bassist
Palle Danielsson -- a formidable trio in which
Baron's muscular, musical touch and
Danielsson's rich tone and technique have unfettered space to interact with
Galliano's multiphonics. Guest appearances are made by frequent
Galliano collaborator
Michel Portal on bass clarinet for two tracks, violinist
Didier Lockwood on two, and harmonica virtuoso
Toots Thielemans for two others. Each works wonderful alchemy with
Galliano, their contributions extending and transforming the ideas, shapes, and colors of the leader's compositions and instrumental palette. The set, consisting mostly of the leader's originals, along with a pair from
Galliano mentor
Astor Piazzolla, has an exciting, contemporary freshness that marries jazz drive with an elegant take on the European folk tradition. The one notable departure from this vein is
Galliano's "Mr. Clifton," a track where the trio manages to out-zydeco the song's namesake, zydeco king
Clifton Chenier. ~ Jim Todd