Directly following an ambient collaboration with modular synth master
Alessandro Cortini (
Illusion of Time) and a club 12" with
Roman Flügel as Noun (Meeting of the Minds),
Daniel Avery finished a solo LP and spontaneously decided to release it with no advance hype.
Love + Light touches on several sides of
Avery's personality, delivering propulsive dance tracks as well as reflective experiments, and diverting into other modes that he hasn't explored as frequently. "Dusting for Smoke" and "Dream Distortion" are prime examples of the type of hissing, hazy techno he excels at, with heavy, pounding beats and tense, dreamy synth textures, all fine-tuned for major club impact. "Darlinnn" keeps up a steady beat but builds much more gradually, working up to a frothy peak and then simmering down. Surrounding all these tracks are experimental pieces like the distorted drone of "London Island" (echoing his work with
Cortini) and the gentle, floating harp interlude "Katana." "Searing Light, Forward Motion" takes things in a much harsher direction, with clattering, distorted breakbeats reminiscent of
Christoph de Babalon or DJ Scud, and furious acid synths sounding like an angry robot on the rampage. "Infinite Future" is much more serene, with shoegazey synths gliding over a slightly jittery post-dubstep beat, and other tracks like "Into the Arms of Stillness" and "A Story in E5" dip into swirling, tenderhearted downtempo IDM in the vein of
Casino Versus Japan or
Freescha. "Fuzzwar" is in a similar vein, yet somehow it's one of the least fuzzy-sounding tracks on the album. Wrapping it all up is "One More Morning," a light, shimmering electro piece perfect for greeting the sunrise. While
Love + Light feels a lot rougher than
Avery's first two solo albums, and initially takes a few more listens to fully appreciate, it's just as inspired and creative. ~ Paul Simpson