Having already checked off the second (and by far most popular) cello sonata of Bohuslav Martinu in his first album for the Supraphon label, cellist
Tomás Jamnik (all of 23 years old at the time of this recording) has set his sights on Martinu's Third Cello Sonata. Other works on this program include the Suita balladica for Cello and Piano of Petr Eben and the Sonata for Cello and Piano of
Lubos Sluka. All of these works share not only a common Czech pedigree, but were composed within about five years of each other. Though they were all heavily influenced by the Czech folk music tradition, they are stylistically contrasting, resulting in a thoroughly enjoyable program of works not likely to be found anywhere else. As in his first album,
Jamnik again proves himself to be an artist to watch. His technique is remarkably well developed and he skips nimbly around his instrument with apparent ease. His understanding of the score is readily apparent and his ability to create true, collaborative chamber music with pianist
Ivo Kahánek is nicely developed. Where
Jamnik continues to struggle, however, is in producing and maintaining long, continuous musical lines. Too often, the rhythmic complexity and intricacy of the music just gets in the way of sustaining musical phrases, a fact that unfortunately makes listeners lose their attention from time to time. Still, the program is fantastic and
Jamnik's technical skills are something to behold; here's hoping he continues to develop his musical skills to the same level.