The Montreal trio
Évidence approaches
Thelonious Monk's songbook from a new jazz perspective. Alto saxophonist
Jean Derome, electric bassist
Pierre Cartier, and drummer
Pierre Tanguay all have extensive experience in avant-garde music fields. This first album, simply titled
Musique de Thelonious Monk, was recorded in October 1992, six years after the trio's inception. The repertoire highlights classic
Monk compositions like "'Round Midnight," "Misterioso," and "Well You Needn't," but also gives attention to lesser-known tunes such as "Hackensack" and "Ugly Beauty." (
Évidence's second album,
Live à la Casa (2000), features more adventurous choices.) In any case, the selection itself matters little, because the force of this trio resides in its arrangements. The lack of a pianist gives these tunes new life, thanks mostly to the way Derome uses split-tones to simulate
Monk's minor seconds (especially in "Hackensack") and plays around the chords to suggest them. The musicians interpret
Monk's music the way they hear it in their heads. Respect for the original was a ground rule, but since the pianist himself was known to take many liberties with his compositions (and those of others), Derome, Cartier, and Tanguay didn't refrain from pursuing their pleasure -- and the listener's. Yet,
Musique de Thelonious Monk sounds more sober than its follow-up.