Silverchair's third full-length release is a confusing affair that reveals a band more talented than their critics realized and more confused than their fans could tolerate. The Australian trio never made any secret of their respect for
Nirvana, and on
Neon Ballroom Silverchair does one of the best impersonations of their Seattle counterparts on record. It would be easy to convince any
Kurt Cobain fan that "Spawn Again" and "Dearest Helpless" are actually
In Utero outtakes, and quite good ones at that! When the weepy ballads, like the
Goo Goo Dolls-esque "Miss You Love," pull
Neon Ballroom into an overtly radio-friendly direction, all the promise of a gritty grunge tribute fades, and
Silverchair appears to be serving two masters. The resultingly incongruent musical textures stifled
Neon Ballroom and assured a certain amount of fan disenchantment despite the minor airplay success of "Ana's Song (Open Fire)." There are still enough nice moments on this CD to recommend it to even casual fans of the Aussie outfit. Those who had enough of
Silverchair when modern rock radio played their mid-'90s hits to death need not concern themselves with this mixed effort.