He may not have been the blues, but he was sure close to being the blues pianist.
Spann provided wonderful, imaginative, tasty piano solos and better-than-average vocals, and was arguably the best player whose style was more restrained than animated. Not that he couldn't rock the house, but
Spann's forte was making you think as well as making you dance. [The album was reissued for the Japanese market in 2003.] ~ Ron Wynn