Blondie turned to British pop producer
Mike Chapman for their third album, on which they abandoned any pretensions to new wave legitimacy (just in time, given the decline of the new wave) and emerged as a pure pop band. But it wasn't just
Chapman that made Parallel Lines
Blondie's best album; it was the band's own songwriting, including
Deborah Harry,
Chris Stein, and
James Destri's "Picture This," and
Harry and
Stein's "Heart of Glass," and
Harry and new bass player
Nigel Harrison's "One Way or Another," plus two contributions from nonbandmember
Jack Lee, "Will Anything Happen?" and "Hanging on the Telephone." That was enough to give
Blondie a number one on both sides of the Atlantic with "Heart of Glass" and three more U.K. hits, but what impresses is the album's depth and consistency -- album tracks like "Fade Away and Radiate" and "Just Go Away" are as impressive as the songs pulled for singles. The result is state-of-the-art pop/rock circa 1978, with
Harry's tough-girl glamour setting the pattern that would be exploited over the next decade by a host of successors led by
Madonna. ~ William Ruhlmann