In Rêveries,
Sylvia McNair and Roger Vignoles present a comprehensive survey of French mélodies, thoughtfully chosen and tastefully performed. Ranging from the late nineteenth to the early twentieth century, these selections are representative of the delicate and often introspective art songs written by the leading French composers of the period.
Claude Debussy's impressionistic Ariettes oubliées establish a languorous mood that lasts for most of the program. Of these six numbers, only the lively "Paysages Belges" provides enough contrast to briefly lift the spell. The four Bizet songs by included are not exceptional pieces, though Adieu de l'hôtesse arabe is the most interesting of the group for its exoticism and inventive harmonic exploration.
Olivier Messiaen's subjective Mélodies are simple settings of rather slender lyrics and are perhaps the least satisfying of the songs offered here.
Gabriel Fauré's three songs are sentimental and richly harmonized, characteristic of fin-de-siècle expression and taste, though refined and free of gaudiness. The last six songs are fine examples of
Francis Poulenc's melodic gifts, sophistication, and wit. The humorous Voyage à Paris is cast in a popular chanson style, and the three surrealistic Métamorphoses bring the program to a close with an ironic but light touch.