Jon Hendricks idolizes
João Gilberto -- he has spoken fondly of their first meeting where they scatted to each other before ever speaking a word -- and he wasted little time putting together a tribute album at the height of the first bossa nova wave. It ought to come as no surprise that he would display total sympathy with the bossa nova manner here, singing softly and smoothly -- and
Hendricks' English wordplay is quite faithful to the original tunes and meanings of the Portuguese lyrics, in contrast to his usual whimsical work with jazz improvisations.
Hendricks is particularly winning, and irresistibly swinging on the rare occasions ("Voce E Eu," "Samba Da Minha Terra") when he scats to the Brazilian rhythm; he should have done more of that here. But then, his versions of
Gilberto's repertoire are carefully based on
Gilberto's early EMI/Odeon recordings (now available on
The Legendary João Gilberto); even
Antonio Carlos Jobim's string and wind charts for the originals are preserved by adapter
Johnny Mandel. Alas, the only
Hendricks lyric that has become a universal standard is
Jobim's "Chega de Saudade" ("No More Blues"). As
Hendricks' only album-length encounter with bossa nova,
Salud! João Gilberto Originator of the Bossa Nova is essential.