Santamaria recorded an entire album in March 1969 that was inspired by the Afro-Cuban religion Santeria with encouragement from producer
David Rubinson. It was done, however, in an era when
Santamaria was being marketed by Columbia as a jazz-pop-soul crossover artist. The label rejected the album and it was shelved until 2000, when it finally appeared as a CD. While it's a solid record, and certainly closer to
Santamaria's roots than much of his Columbia work was, one would be hard-pressed to say that its failure to appear when it was first made was a tragedy. Really, it's not too much different than the less soul-pop-oriented Latin jazz
Santamaria has done throughout his career. Perhaps it's at times a little looser and bolder than
Santamaria was wont to be, as with
Sonny Fortune's squealing alto sax lines on "Mambo Leah" or the ten-minute "Obatala," a rave-up that moves from an opening conga/bata duet through several sections into a hyper-tempo charanga. But it's not all along these lines: "Sheila" is just a mellow jazz ballad (not that there's anything wrong with that) while "Me and You Baby" and "Boogaloo Wow" are more in line with the boogaloo that was raking in the sales for Mongo and Columbia. It's nice that Mongo fans have an opportunity to hear it after the passage of 30 years, but it's difficult to say that it would have made any difference to the trajectory of his career had it appeared as
Santamaria and
Rubinson intended, although the success of
Santana right after its cancellation might have helped draw attention to it. One of the songs, the aforementioned "Me and You Baby," did appear on the 1970 album All Strung Out; otherwise, everything else was previously unreleased. In addition, there are five bonus live tracks recorded in 1968. ~ Richie Unterberger