The adventurous spirit of pianist
Franco d'Andrea and Philology owner and producer Paolo Piangiarelli makes for always compelling recording sessions. Over three daily sessions,
d'Andrea, accompanied by bassist
Ares Tavolazzi and drummer
Massimo Manzi, performed songs associated with various bands, but not always exclusively the swing era, as the series title
Standards of the Big Band Era states. The second volume begins with a most unusual interpretation of "Topsy" with occasionally sparse, almost
Monk-like piano, and showcasing all three trio members. "Take the 'A' Train" begins with a moody bass vamp and quirky piano, as if someone is impatiently awaiting a late-night subway line that is overdue, before gradually transforming into a more swing-like setting, even though it still incorporates elements of post-bop throughout the piece.
Charles Mingus would likely approve of the buoyant arrangement of his gospel-flavored "Better Get Hit in Yo' Soul." Fans used to
Benny Goodman's recordings of
Jelly Roll Morton's "King Porter Stomp" are in for a surprise;
d'Andrea's turbulent approach makes it sound like a entirely new work.
Tavolazzi's melodic bass introduces the very boppish take of "I'm Getting Sentimental Over You," a piece forever associated with swing stylist
Tommy Dorsey. D'Andrea delves into stride, bop, post-bop, and finally swing in his wonderfully disguised introduction to "One O'Clock Jump." Not to overlook
Manzi's sensitive drumming throughout the CD; he also contributed the intriguing series of photos that serve as the covers for each of the three highly recommended volumes in the series. ~ Ken Dryden