It's hard to overestimate the impact
Stevie Ray Vaughan's debut,
Texas Flood, had upon its release in 1983. At that point, blues was no longer hip, the way it was in the '60s.
Texas Flood changed all that, climbing into the Top 40 and spending over half a year on the charts, which was practically unheard of for a blues recording.
Vaughan became a genuine star and, in doing so, sparked a revitalization of the blues. This was a monumental impact, but his critics claimed that, no matter how prodigious
Vaughan's instrumental talents were, he didn't forge a distinctive voice; instead, he wore his influences on his sleeve, whether it was
Albert King's pinched yet muscular soloing or
Larry Davis' emotive singing. There's a certain element of truth in that, but that was sort of the point of
Texas Flood.
Vaughan didn't hide his influences; he celebrated them, pumping fresh blood into a familiar genre. When
Vaughan and
Double Trouble cut the album over the course of three days in 1982, he had already played his set lists countless times; he knew how to turn this material inside out or goose it up for maximum impact. The album is paced like a club show, kicking off with
Vaughan's two best self-penned songs, "Love Struck Baby" and "Pride and Joy," then settling into a pair of covers, the slow-burning title track and an exciting reading of
Howlin' Wolf's "Tell Me," before building to the climax of "Dirty Pool" and "I'm Crying."
Vaughan caps the entire thing with "Lenny," a lyrical, jazzy tribute to his wife. It becomes clear that
Vaughan's true achievement was finding something personal and emotional by fusing different elements of his idols. Sometimes the borrowing was overt, and other times subtle, but it all blended together into a style that recalled the past while seizing the excitement and essence of the present.
[Legacy's second reissue of
Texas Flood, the 1983 debut from
Stevie Ray Vaughan and Double Trouble, now expands the album to two CDs, adding a complete concert given at Ripley's Music Hall in Philadelphia on October 20, 1983, four months after the record was released. On the first disc, an early version of "Tin Pan Alley (aka Roughest Place in Town)" is added to the original album but that is the only carry-over from the 1999 expansion. That disc also had three live cuts, but those were taken from a different 1983 concert, so this 2013 30th Anniversary Edition offers something completely new: an entire radio broadcast featuring
SRV and Double Trouble at the peak of their power. The set has few surprises, either in songs or attack, but the band is muscular and energetic, ripping into much of
Texas Flood ("Pride and Joy," "Testify," and "Love Struck Baby" all sound vigorous) and spending no less than 20 percent of their hour covering
Jimi Hendrix ("Voodoo Child [Slight Return]," a medley of "Little Wing/Third Stone from the Sun"). No revelations, then, but anybody looking for more of prime
Stevie Ray will surely be satisfied with this deluxe 30th Anniversary Edition.[ ~ Stephen Thomas Erlewine